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Actors: Avery Tiiu Essex / / Audience score: 5033 Votes / Daniel Kehlmann / Year: 2020 / Country: USA

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Thought I would add a quick review as there is a lot of negativity around this film. I'm suggesting it's a classic but it's fine as it is. Kevin Bacon is good as ever and it's a well put together story I'd probably a bit obvious. It's plenty creepy enough and at 90 minutes worth a watch in my opinion. David Koepp's output has some soaring highs (Jurassic Park! Spider-Man! and some abysmal lows (Jurassic Park 2! Indiana Jones 4. This one falls into the latter category, I'm afraid. It contains the seed of something great, but it's all setup and no delivery.
First, let's get this out of the way: yes, there are some great moments, and yes, they're all in the trailer. Seen the trailer? Good, you don't need to go any farther. There's nowhere to go, really. those intriguing scenes aren't leading up to anything. There's a mystery of sorts, but you'll work it out pretty quickly. The final picture that emerges isn't so much a rich tapestry as it is taped together from photocopies of other, better pictures.
I really wanted to love it, because the idea of the house is a fantastic visual premise. I suspect that's how the movie was born: Koepp envisioned this place with mysterious, unreliable geometry and wrote a story to go with it. Even the execution of that idea, though, is disappointing. The movie seems to be gearing up to bring us a mind-boggling, infinitely complex setting, but it never gets there. Most of what we are shown is well done, but it doesn't go nearly far enough, re-using too many of the same sets, and ultimately falling back on well-worn dingy cellar imagery and uninspired black walls that feel like a cop-out when they arrive. The movie the trailer prepared you for seems tantalizingly close but you never reach it.
The story that's loosely written around the location doesn't take up the slack. Like the house, it promises more than it delivers. The actors are too good and the characters' setup too portentous for the damp fizzle that eventually plays out. There are some odd dramatic choices. Without spoiling anything, the subplot of the wife's secret is completely out of place. Instead of upping the emotional stakes or being an effective red herring, it just confuses the tone and the way the audience relates to the characters. It feels like padding in every sense: narrative, emotional, and durational, and its awkward inclusion just exposes the thinness of the overall plot.
The usual Blumhouse treatment does the movie no favors. The punctuating of every shadow and jump scare with a loud noise or music cue, the ominous scoring regardless of context, the metaphorical billboards reading "this is a scary movie, usually perfect for the production company's gloriously unashamed spookfests, all seem too blatant and unsubtle for this script. Then again, maybe that's me expecting more than it ever intended to deliver. When the mystery of the house is solved, the often-used premise seems like it would be more at home in an anthology series than a deadly serious, emotionally heavy film, and maybe that was the intent all along. Perhaps the production simply leaned too heavily on striking a somber tone when the material was more akin to an episode of The Twilight Zone than Sophie's Choice.

First off, this is not a horror film. Had it not been for the dreadful unexplained ending, it would have been a very decent suspense/mystery story. Love Kevin, love Amanda but the ending ruined it. After watching this, I'm still not sure what purpose the vacation rental home served other than to confuse the viewing audience in believing the house reveals your true sins. And if that was the intention, it made absolutely no sense to be there. The family could have stayed where they were for that. Not as bad as other reviews make it out to be but the last scene did not sum up anything. Watchable only once. once.

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Euphoria centers on CDC researcher Abby Arcane. When she returns to her childhood home of Houma, Louisiana, in order to investigate a deadly swamp-borne virus, she develops a surprising bond with scientist Alec Holland — only to have him tragically taken from her. But as powerful forces descend on Houma, intent on exploiting the swamp’s mysterious properties for their own purposes, Abby will discover that the swamp holds mystical secrets, both horrifying and wondrous — and the potential love of her life may not be after all.

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He is someone we don’t see happening. Still, Brie Larson’s resume is impressive. The actress has been playing on TV and film sets since she was 11 years old. One of those confused with Swedish player Alicia Vikander (Tomb Raider) won an Oscar in 2016. She was the first Marvel movie star with a female leader. And soon, he will play a CIA agent in a movies commissioned by Apple for his future platform. The movies he produced together.

Unknown to the general public in 2016, this “neighbor girl” won an Academy Award for best actress for her poignant appearance in the “Room”, the true story of a woman who was exiled with her child by predators. He had overtaken Cate Blanchett and Jennifer Lawrence, both of them had run out of statues, but also Charlotte Rampling and Saoirse Ronan.

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